![]() ![]() However, since it’s a pretty expensive model, it’s mostly used by passionate and intermediate bass players. It doesn’t really matter whether you’re an advanced musician or not – you will definitely notice and appreciate the uniqueness of that model. Gibson Thunderbird is suitable for guitarists of all levels. Video can’t be loaded because JavaScript is disabled: Gibson Thunderbird Bass Demo () Who Is It For? Here’s the sound demo – feel free to check it out below. In my opinion, it’s not overpriced at all. However, considering how legendary and great sounding it is, it’s pretty clear that it’s worth that amount of money. When it comes to pricing, just like any other Gibson guitar, it’s not that cheap. This is a big advantage, because it will save you a lot of time! Finding the right case for a guitar with that shape isn’t that easy. What’s important, the guitar usually comes with an included case, so you can be sure that it will be protected from all the outside damage. It is also worth mentioning that the Thunderbird has a nitrocellulose lacquer finish which significantly improves the overall resonance and look of that model. The sound of the Thunderbird can be classified as punchy, clear, versatile and vintage. The neck is a big advantage of that bass, because it allows you to practice for several hours without getting tired.Īdditionally, the manufacturer equipped that model with of really good humbuckers – Rhythm T-Bird (neck) and Lead T-Bird (bridge) – which offer a lot of versatility when it comes to tone. What makes it so cool? Well, the guitar features a solid mahogany body, a 9-ply mahogany/walnut neck with the rounded ’60s profile and an easy-playing rosewood fingerboard. This is a truly iconic model, so it’s not surprising that so many guitarists decide to choose it. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.Gibson Thunderbird is a high quality 4-string bass designed for the most demanding bassists out there. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Gianniniīy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). ![]() This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. Scan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. ![]()
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